Client Login

Subscribe to our newsletter |

Recent Posts in the ‘Print Resources’ Category

Know Logo book

Friday, December 30th, 2011 by nadia

knowlogo_coverAre you part of a social change organization that needs to update your logo that a friend put together 10 years ago in Microsoft Word? Are you confused by all the terminology, or where to begin when designing or redesigning your logo and identity materials?  Would you like to read a book more relevant to the world of social change than to the corporate business world?

Know Logo, a manual by Design Action and printed at Inkworks Press, talks about the What, Why and How of logo design for organizations which work for social change.

From the book:

The term “logo” is often defined differently and used to describe different things, even within the field of graphic design. Design Action works primarily with social change organizations (grassroots groups, nonprofits, unions and sustainable businesses) so we use the term to describe:

A signature image and text combination that identifies an organization, campaign or project.

The manual includes a breakdown of the jargon, the basics of what makes up a logo, and some reasons why having a logo is a good idea.  There are also eight Case Studies which discuss the process, the challenges and the arrival at the solutions.

A limited amount of books are available for purchase at $15. You can also download the PDF here. Know Logo book by Design Action.

Tips for working with designers

Monday, September 27th, 2010 by nadia

Planning and Budget

  • Plan ahead - make sure you have planned ahead of time your overall strategy, and have proofread and edited your text. The more advance planning you do, the less hours you will accumulate with the designer - keeping your costs down.
  • Include the designer if possible early into the process, so that ideas can be fleshed out before starting the designs. Leave enough time in the schedule - allow at least one week for printing, and plenty of time for the design phase. Schedule the time in advance with the designer and printer in order to meet your deadlines. Understand that designers are often juggling many jobs at one time. Budget: you can always request pro bono work but do not assume you can have free graphic design work simply because of nonprofit status.

Design and Visual Communications

  • Know your audience - who is this piece really intended for?
  • Imagery and tone of designs should be inclusive and not alienating. Many times pieces need to “walk the line” and appeal to a wide audience or base of people.
  • Try to understand the differences between your personal aesthetics and what design/color/image/tone will advance the mission of your organization. How do you want your base to experience this piece?
  • Good high quality photography! This is a worthwhile investment. Make sure the digital camera settings are on the highest quality setting. Assign someone to take pictures at your events.
  • Always have captions to your pictures.
  • Always include calls to action in your pieces.
  • Think about what stories you want to tell about your work. How can you challenge assumptions and get your message across?
  • 2color or 4color? Uncoated paper or glossy paper? Consider the effect and pricing of these options when first meeting with the designer. Technology has advanced and the bar has been raised on good design in our movements, so 4color printing is now much more financially accessible.
  • Be concise. Brochures, newsletters and annual reports will be much more likely to be read if there is minimal text - bullet points help! A lot of margins and “White space” also makes your piece easier to read. Your donors and members might be daunted if there is too much text to read.  You want them to read your materials!
  • When working on identity and logo design, remember that logos are an introduction to your organization, they are not meant to tell the whole story.
  • Your staff/volunteers should have a clear understanding of the organizational identity. Be consistent in the use of identifying elements.
  • Don’t micromanage! Trust the process with your designer and provide, clear, consolidated feedback that helps move the project forward.

The Expansive World of Envelopes

Monday, March 22nd, 2010 by josh

The task of choosing envelopes for your organization may seem a tad overwhelming. But fear-not comrades, here is a fabulous resource to make your envelope decisions more manageable. Check out this resource posted on www.designerstoolbox.com.

Color printing

Tuesday, April 28th, 2009 by admin

20060309-pantoneOne of the first steps of the design process is determining how many colors you will be printing with (1-color, 2-color or 4-color). This is determined by the budget and what makes the most sense or gives a certain feeling for the piece we are designing. It used to be that  2-color printing was more cost-effective than 4-color printing, but now with digital imaging printing presses and with digital toner-based printing, the prices have come down, so that you can get the gamut of color choices.

1 & 2 Color Printing

Consists of one or two inks made of either just black and a Pantone ink, or just 1 or 2 Pantone inks. The Pantone Matching System has over 700 inks you can choose from, and ensures an exact match of color if you need a specific color for a logo.

4 Color (or Full Color) Printing

Uses Cyan, Magenta, Yellow and Black inks to create the spectrum of color on the paper. This offers the most versatility when choosing the color palette as well as being able to print color photographs.

Often when printing a report, it is most cost-effective to print a 4-color cover and either 1 or 2 colors on the inside.

(more…)

Color palettes and proofing

Tuesday, April 28th, 2009 by admin

Once we’ve determined the print process we will be using, we will ask you some questions to get the feeling for the tone of your project and if you have specific colors you do or do not want to use. We will determine the color palette based on this information and what we think works best with the design. During proofing, we will show you the color palette and one of the steps in the design process is to select the palette or to change colors if necessary.

(more…)

Printing Press or Copy Shop?

Wednesday, April 22nd, 2009 by admin

The digital era has certainly affected the print industry. Print processes have quicker turnaround times, thanks to digital technology. And the quality of digital printing — or quick-printing — has improved dramatically.

How do you decide which technology to use for your printing needs? Offset printing is still the preferred method for printing high-quality, long-lasting materials. It is also more cost-effective (the cost-per-thousand goes down the more you print) if you are printing quantities over 500.

If you need a small run (less than 500 quantity), need temporary or short-lived materials, or need something on a fast turnaround, then digital printing is recommended.

Fortunately, Kinkos is not the only option any more for this type of printing, and there are unionized, green print shops which now offer quick-turnaround digital printing.

Understanding Image Quality

Sunday, April 12th, 2009 by admin

When collecting digital photographs and other imagery for a printed piece, it is important to understand resolution. Digital images are made up square dots called pixels. Each pixel represents the color of a small part of an image. The more pixels you have in an image the smoother and more realistic the image will appear. Resolution refers to the density of pixels in an image. Low resolution images have lines that look jagged and you can actually see the individual pixels that make up the image. High resolution images have many more pixels. That means that each pixel makes up a much smaller part of the image - making them so small that they become invisible

How much resolution you need is determined by the size the image will appear when printed. If you’re only going to print 2 inch thumbnails of your images, than you don’t need a lot of resolution. But if you’re printing a picture of a landscape that you want to blow up to three feet tall, then you want as much resolution as you can get.

The resolution needed to view an image well on your computer screen is much lower than what is needed for a printed piece. One good rule is to make sure your photo appears on your screen at 3 times the size  at which you plan to print it.

Adapted from “Basics: Understanding Resolution” by Jim McGee, www.vividlight.com